Scottish commercial broadcaster STV has undergone a full technical upgrade of its news production and sound control rooms and studio at its Glasgow HQ. Live programming is now on air, […]
Audinate’s Dante, the de facto standard for digital audio networking, recently reached an impressive milestone with more than 3,000 different products now incorporating Dante for audio-over-IP connectivity. According to research from […]
Television is slowly following radio into the adoption of audio over IP technology, but the transition has been hampered by infrastructure costs, the challenge of preventing audio latency and concerns over standards and security. Above, the University of Miami adopted Dante and AOIP for its live sports production workflows before COVID introduced the need for social distancing.
IP audio and control pioneer Barix this month celebrates its 20th anniversary. Over two decades, the Swiss company has grown from a control and automation upstart into a globally recognized […]
In recent years, during the move to IP in broadcast production, broadcasters have predominately focused on video transport due to it requiring so much bandwidth. However, audio also presents challenges. Compared to video, not only does audio involve a substantially greater number of flows, but it also uses a diverse number of standards in production.
Audio over IP (AoIP) networking technology is experiencing higher adoption among TV broadcasters, prompted in part by a new transport standard ensuring more interoperability. Many of those embracing IP no longer think of audio production as an island, but as connected networks prompting interoperability to become an important factor. Above, SSL’s System T AoIP production system runs on COTS hardware like Cisco switches.
Exclusives
Linear Acoustic’s Martin Dyster, VP of business development/television, and Telos Alliance CSO Greg Shay will present their paper, How AES-67, the New Audio-Over-IP Standard, Will Bring the Convergence of Telecommunications, […]
