The new Blackmagic Design products just introduced include: ATEM Mini Extreme — A new massively larger model of the ATEM Mini live production switcher. This new model 1 M/E switcher features 8 inputs, 4 ATEM Advanced Chroma Keyers, a total of 6 independent DVEs, 2 media players, 2 downstream keyers, 16 way multiview, 2 USB connections […]
Blackmagic Design has announced DaVinci Resolve 17, a major new release with more than 300 new features and improvements including HDR grading tools, redesigned primary color controls, next generation Fairlight audio engine including Fairlight audio core and support for 2,000 real time audio tracks plus dozens of other time saving tools for editors including a redesigned […]
Sinclair-owned Fox affiliate KABB San Antonio Chief Meteorologist Alex Garcia is using a number of Blackmagic Design products, including an ATEM 4 M/E Broadcast Studio 4K live production switcher, to remotely broadcast and live stream weather segments for the nightly Fox News at Nine newscast. Pivoting to meet the demands of social distancing and the […]
Blackmagic Design’s Cintel Scanner and DaVinci Resolve Studio are being used at film restoration and post-production facility Digital Sprockets to restore a number of 35mm classic Mexican films from the 1940s, 1950s and 1980s. Digital Sprockets was founded in 1994 by Benjamin Fernández Rodriguez Maribona in Mexico. With facilities in Mexico City and Los Angeles, Digital Sprockets’ […]
Blackmagic Design today introduced ATEM Streaming Bridge, a new converter that decodes the live stream from any ATEM Mini Pro model switcher and converts it back to SDI and HDMI video. The advantage of ATEM Streaming Bridge is broadcasters can use it to connect high quality video links direct from any ATEM Mini Pro studio. This allows […]
Blackmagic Design today announced a new lower price for its Blackmagic Pocket Cinema Camera 6K of $1,995. This is a reduction of $500 which the company says “will help make this camera more affordable for users working on digital film as well as live production with the new ATEM Mini switchers.” Blackmagic Pocket Cinema Camera now works […]
Blackmagic Design today announced Blackmagic Video Assist 3.1 and Blackmagic RAW 1.7 which add support for Blackmagic RAW recording from Panasonic EVA1 and Canon C300 MK II cameras on the new Blackmagic Video Assist 12G models. This update lets customers take advantage of Blackmagic RAW workflows and allows dramatically improved quality and creativity in the […]
Blackmagic Design today announced a variety of new products and updates at IBC (Sept. 13-17, RAI Amsterdam). They include: [NEW] ATEM Mini — A new low cost live production switcher specifically designed to allow live streaming to YouTube and business presentations via Skype. Available in November 2019 from Blackmagic Design resellers worldwide for US $295. […]
The interest in HDR units is due to their ability to improve quality and enable content creators to migrate toward 4K incrementally over time. “We foresee significant growth in HDR products within the next two years, driven by consumer demand for HDR TV sets,” says FujiFilm’s Thomas Fletcher. Above, a Ross ACID HDR camera. Click here to access TVNewsCheck’s NAB 2018 Resource Guide listing of camera vendors and products or here to download it as a PDF.
Blackmagic Design today announced the immediate availability of Blackmagic Video Assist 2.5 Update that adds support for professional vector scope, waveform monitoring, RGB parade and histogram to Blackmagic Video Assist 4K. This update is available now as a free update for all Blackmagic Video Assist 4K customers. Demonstrated at NAB 2017, these new professional scopes can be viewed full screen for evaluating video […]
Drip, drip, drip. The trickle of changes in television capture and delivery continues to flow. But as next-gen TV inches towards finalization as a standard and the prospects for FCC authorization grow those drips will turn into a torrent. Broadcasters and camera vendors alike are getting serious about how to prepare for these changes while maintaining and improving existing HD workflow and program delivery. Click here to access TVNewsCheck’s NAB 2017 Resource Guide listing of broadcast camera vendors and products or here to download it as a PDF.
With broadcasters making plans to move to an ATSC 3.0 future that supports 4K and — more immediately — looking to leverage IP, the cloud and other technologies to improve workflows, the cameras at this year’s NAB Show will reflect the efforts of vendors to understand the evolving needs of broadcasters and address those requirements with their latest designs. Above, JVC’s GY-HM2005P. For a resources guide to the companies mentioned in this story, click here.
Blackmagic Design | Hall 7, Stand H20 | Website: www.blackmagicdesign.com Blackmagic Design has introduced the Blackmagic URSA Mini B4 Mount, a B4 lens mount modification for its new Blackmagic URSA Mini PL camera that lets it use broadcast HD lenses. Since URSA Mini’s launch at this year’s NAB Show, feedback from broadcasters has been overwhelmingly […]
TV stations are forced to deal with the arrival of new file formats at a dizzying pace. Fortunately for TV broadcasters, a number of vendors of broadcast editing systems have been at work on this problem, and some new approaches to grappling with it will be on display at the 2015 NAB Show. This is the latest installment of a special series on emerging tech trends, NAB Hot Topics, that will appear each week leading up to the NAB Show that runs April 11-16 in Las Vegas. The schedule: March 19: The IP Transition; and March 26: Audio. Read the earlier installments here.
At IBC in Amsterdam, Blackmagic Design debuted SmartView 4K, what it calls the world’s first full resolution Ultra HD broadcast monitor with 12G-SDI inputs for compatibility with virtually all SD, HD and Ultra HD formats up to 2160p60 for $1,995. SmartView 4K is a professional Ultra HD broadcast monitor with a native resolution of 3840 […]
Digital single lens reflex cameras began as a way for wire service photogs to shoot video with the same camera they were using for still photos. Then TV stations began to use the small, lightweight and inexpensive units to produce on-air promos. Now, manufacturers including Canon, Blackmagic Design and Red are making DSLRs that are truly professional video cameras with bells and whistles that shooters love. KNSD’s Erik Naso (pictured) shoots with a Canon C100 and says he loves its depth of field: “It’s a film look to the extreme.”
Shooting series in the new Ultra HD format is being tested, and so far it’s not proving to add time — or too much expense — to the process. Another major advantage: having a 4K master should pay dividends when the format becomes standard.