Fox Corp. CTO and President of Digital Paul Cheesbrough and Jeff Dow, its EVP, media & broadcast operations, offered a rare glimpse into how the company built a new cloud-centric architecture that feeds all of its broadcast and digital streams in a TVNewsCheck webinar last week.
Whether offered as a standalone unit or combined with other components of the broadcast workflow, multiviewers are tackling a mix of formats and a higher volume of content to monitor. Above, Studio Berlin uses the Apantac KVM over IP solution for its multiviewers.
With less hardware to demonstrate and a much-reduced exhibition floor footprint, the first post-pandemic NAB Show pointed the way to a future where software demos of cloud, IP and hybrid environments have become the new norm.
Evertz, a global provider of media and entertainment technology solutions, has debuted its DreamCatcher BRAVO Studio on Microsoft Azure Marketplace, giving media companies and enterprises “a flexible and cost-effective all-in-one production studio for multi-camera live events.” DreamCatcher BRAVO Studio is a virtual live production studio that includes “all the tools needed to create broadcast-quality productions,” the company says. BRAVO Studio captures multiple […]
Station groups lag behind larger networks in investing in new IP routing systems despite interoperability hurdles being overcome and IP gear prices falling. But the new infrastructure may end up being more horsepower than they need. Above, a control room at NBCUniversal’s Boston Media Center in Needham, Mass. The facility handles four businesses in the market — WBTS (NBC), WNEU (Telemundo), New England Cable News and NBC Sports Boston — on one common IP-based technology platform.
For the 2022 NAB Show (April 23-27 in Las Vegas), Evertz will be highlighting new interactive graphic solutions to help live sports, live events, and broadcast customers deliver unique experiences and personalized features to millions of users across multiple platforms. Evertz will showcase Ease Live, a Software-as-a-Service (SaaS) based interactive graphics platform as part of […]
At NAB 2022 in Las Vegas, Evertz will show a suite of innovative tools that are designed to simplify remote and live productions, leaving broadcasters free to focus on telling greater stories that connect audiences with content in more meaningful ways. Among the products Evertz will highlight at NAB (April 23-27) in Booth N5907 is […]
Teed up by riveting playoffs, NBC will rely on the same core technical setup it employs for its regular-season NFL games when it broadcasts Super Bowl 56 on Sunday. “The more you can stick with what got you to where you are, the better off you are,” says Drew Esocoff, the big game’s director. Above, the Infinity Screen by Samsung in SoFi Stadium (Photo: Will Navarro).
Broadcasters are wending through a C-band repack now operating on an accelerated timeline with completion slated for Dec. 2023. The process is humming along much more smoothly than the RF repack that preceded it. Above, Sinclair Broadcast Group HEVC uplink gear.
Evertz, a global provider of media and entertainment technology solutions, will be attending NAB 2021 in Las Vegas with a range of solutions that it says “address the significant changes taking place throughout the broadcast industry.” As the entire industry undergoes a seismic shift, Evertz has responded with a number of new products that focus […]
A first look at Disney’s new Digital Center 3 (DC3) in The Woodlands, Texas, a massive, 187,000-square-foot plant consolidating playout, transmission and media operations. (Sam Exley photo)
Broadcasters are calling on multiviewers to work in traditional, hybrid and IP environments, monitoring many different formats and high numbers of input and output signals. Vendors say they’re keeping up, while advancing in virtualization, compression and resolution. Above, TAG’s probing, monitoring and multiviewing platform for real-time video.
Zixi, which enables dependable, live broadcast-quality video over any-IP, and the award-winning architect of the Software-Defined Video Platform (SDVP), today announced an integration and partnership with Evertz, a global provider of media and entertainment technology solutions. Evertz has natively integrated the SDVP, including ZEN Master, in to the XPS Series, a real–time high quality and low […]
New camera angles and innovative AR graphics will mark Tampa’s Super Bowl LV with a sparser crowd allowing for novel camera positions and experimentation.
Remotely working broadcasters are increasingly seeing the advantages of IP routing systems to easily control equipment and monitor feeds. Those who adopted IP routers prior to the pandemic were “well ahead of the game,” says one vendor. Above, the BBC’s SMPTE 2110 facility in Cardiff, Wales.
AI- and cloud-based captioning systems offer ever-improving accuracy for broadcasters, while the real incentive to adopt them is dramatically lower costs than manual captioning workflows.
The pandemic created an opportunity to stress-test distributed and virtualized workflows right now that stations and networks were already considering for the future. The industry’s shift may now be ahead of schedule because of it. Above, NBC Universal’s Boston Media Center is one of the latest all-IP broadcast facilities.
Costs are inhibiting a flood of 4K sports production, but 1080p HDR offers numerous practical advantages, among them that the improvement in picture quality is more readily apparent to consumers than the gain from 4K resolution. Above, Sony tested an 8K camera at the Sony Open in Hawaii last year, but doesn’t expect 8K to be used for regular sports production for several years.
Fox will use more than 100 manned and robotic cameras to cover the game, including 24 “Super-Motion” cameras to support replays; 20 goal-line and end-line pylon cameras; wireless “Line to Gain” cameras that travel up and down the field in alignment with the first-down marker; and two different SkyCam systems which operate at different elevations. It will also use 72 field mics, as well as wireless player mics, to capture game audio. And that’s just scratching the surface.
Audio over IP (AoIP) networking technology is experiencing higher adoption among TV broadcasters, prompted in part by a new transport standard ensuring more interoperability. Many of those embracing IP no longer think of audio production as an island, but as connected networks prompting interoperability to become an important factor. Above, SSL’s System T AoIP production system runs on COTS hardware like Cisco switches.
Larger networks and sports broadcasters are in the vanguard of IP routing, but local stations are following more slowly. Business needs are driving the pace of transition, and HD-SDI routers are far from disappearing. NBCUniversal Owned Television Stations’ new facility for WCAU-WWSI, its Philadelphia duopoly, uses Grass Valley control software and IPG (IP gateway) cards working with Cisco switches to bridge the HD-SDI and IP worlds.
Multiviewers are in the midst of a rapid evolutionary phase spurred by the proliferation of signals that need monitoring and the IP transition. As the need for control across multiviewer screens increases, the technology is also becoming more integrated with other pieces of equipment.
The global news giant has built the first major broadcast facility to be completely based on the SMPTE 2110 IP networking standard. “The idea behind going IP was to get everything across CNN’s facilities connected,” says Bob Hesskamp, EVP of broadcast engineering for Turner. “The other reason we did this was we wanted to build a facility that wasn’t out of date on Day One, that was software-configurable, expandable and easier to make changes to.”
Evertz, a global provider of media and entertainment technology solutions, announces the integration and official certification of Nielsen watermarking technology within its portfolio of file-based products, which includes both Mediator-X and OvertureRT-LIVE. Mediator-X is Evertz’ media asset management, content supply chain and playout automation solution. OvertureRT-LIVE is the company’s linear playout solution. Nielsen watermarking technology […]
In response to Evertz’s recent press release about its patent infringement suit against Lawo, Lawo strongly denies any infringement of patents as alleged by Evertz and believes that the allegedly infringed patents are invalid. The Evertz lawsuit asserts that Lawo infringes seven patents relating to Evertz’ internet protocol-based video routing and switching technology and multi-image […]
Just over a year after publication of SMPTE’s 2110 suite of standards for handling professional media over managed IP networks, the TV industry’s focus has switched from how to transport the data to refining the technology supporting the standard.
Discovery and ABC both rely on the cloud — one public, one private — to deliver their cable networks. Now broadcasters are looking at how the cloud can benefit not just distribution but also production, whether that means live news or sports coverage or post-production applications like editing.
Evertz, a global provider of media and entertainment technology solutions, says that its advanced, software-defined, MediaFlow platform was virtualized, containerized and launched on Google cloud. Containers can be managed and launched using Evertz Compression Headend Management software in any Google cloud region and on premises. Using Evertz’ vNATX license on the virtualized MUXIP platform, signals […]
Interra Systems, a global provider of digital media solutions, today announced a cloud-enabled integration of its Baton file-based QC solution with the Evertz Mediator X media asset management platform, simplifying the automation of quality control (QC) for media developers, producers, and distributors. Seamless integration between Baton and Mediator lets media enterprises automatically perform QC checks on […]
Everyone from smaller station groups to major playout centers are examining software- and cloud-based solutions as they look at consolidation, centralization and density of operations. But whether IP and virtualization can replace all SDI functionality today remains a “big question mark” for many broadcasters. Above, Grass Valley’s iTX channel control. Click here to access TVNewsCheck’s NAB 2018 Resource Guide listing of master control and playout vendors and products or here to download it as a PDF.
Interoperability got a big boost in December 2017 with the publication of SMPTE’s 2110 suite of standards for handling professional media over managed IP networks. Equipment manufacturers and software developers are moving forward quickly to build ST 2110-compliant products. At April’s NAB Show, attendees are certain to see plenty of ST 2110 products introduced, and hear lots of discussions about how to migrate to IP and how best to work in hybrid SDI-IP environments in the meantime. Click here to access TVNewsCheck’s NAB 2018 Resource Guide listing of IP workflow vendors and products or here to download it as a PDF.
Evertz has announced the launch of Croatel’s latest UHD outside broadcast truck UHD OB 5 with a complete Evertz UHD infrastructure solution. Croatel, an independent production and playout facility service provider based in Zagreb, Croatia, was formed in 1994 as the first licensed satellite service provider company in the country. Croatel has been active on […]
Television broadcasters may wish to leverage IP technology, but they cannot simply abandon their paid-for baseband infrastructures. Rather, most will look for ways to introduce islands of IP into their existing workflows with the help of IP gateways. Four early applications for IP in this type of hybrid environment have emerged. (Graphic: Imagine Communications)
As broadcasters’ infrastructures evolve to accommodate IP, UHD and HDR, it stands to reason that vendors will necessarily to need to support workflows that — to various extents, and for various possible durations — are in a state of flux. Evertz indicated that it was up for the challenge in a press conference on Sunday that touched on its latest developments in areas including SDN, playout, compression, remote production and more.
Broadcasters increasingly are getting comfortable with the idea of replacing their existing baseband master control and playout infrastructure with a cloud alternative when the next technical refresh happens. However, for those looking to the public cloud questions remain about live TV. There’s also a nagging concern that must be addressed before broadcasters hand their cash registers over to something as ethereal as the cloud. Be sure to look for Part II on Monday, April 17. Click here to access TVNewsCheck’s NAB 2017 Resource Guide listing of master control and playout vendors and products or here to download it as a PDF.