Teed up by riveting playoffs, NBC will rely on the same core technical setup it employs for its regular-season NFL games when it broadcasts Super Bowl 56 on Sunday. “The more you can stick with what got you to where you are, the better off you are,” says Drew Esocoff, the big game’s director. Above, the Infinity Screen by Samsung in SoFi Stadium (Photo: Will Navarro).
New camera angles and innovative AR graphics will mark Tampa’s Super Bowl LV with a sparser crowd allowing for novel camera positions and experimentation.
FujiFilm | Booth C7225 | Website: www.fujifilmholdings.com The Optical Devices Division of FujiFilm will introduce a Fujinon 4K-compatible studio lens, the UA27x6.5B. The UA27x is the latest zoom lens in the company’s […]
Fujinon is displaying 4K Ultra HD camera lenses with new HTEBC coatings and a new barrel design that the company says improves the signal going through the lens.
New York-based full service production group Leftfield Entertainment produces everything from reality shows and documentaries to historical programs. For numerous recent productions, the company has counted on Fujinon Cabrio PL […]