EditShare, a technology leader that specializes in collaboration, security and intelligent storage solutions for media creation and management, has introduced an innovation to its remote cloud editing product EFSv that it says “transforms the economics of editing in the cloud while significantly improving the efficiencies of dynamic and remote editing workflows.” It goes on to […]
Blackbird plc, the developer and seller of the Blackbird cloud video editing platform, said that esports trailblazer VENN has selected Blackbird for remote video production. The deal is for three years and was brokered by Blackbird’s new US systems integrator partner, ASG. VENN is a new kind of TV network for the streaming generation, aimed at […]
Megaphone TV today launched Talk Show, a professional broadcast tool for creating live and recorded TV shows or video content in the social distancing era. Talk Show was developed with broadcasters in mind, offering a suite of essential features including: Realtime video conferencing with less than 0.5 sec delay Simple to use: 100% browser-based, works […]
Despite pushing newsrooms temporarily into mostly remote production, set design vendors say COVID-19 won’t have a lasting effect on where sets were heading before the pandemic. They say viewers are likely to see more LED panels and walls, virtual sets and augmented and virtual reality usage in news studios. Above, for the TF1 broadcast news studio in France, Planar delivered a 750-square-foot curved video wall.
Latakoo’s integration with AP’s ENPS allows large organizations to collect assignments created in ENPS, as well as update existing assignments in ENPS with files uploaded from Latakoo. The company says integration of these two platforms “means assignments can be easily matched with video files delivered by Latakoo — making tracking stories and their related files, efficient and intuitive.”
A TVNewsCheck webinar featuring top engineers from Fox, Tegna and Gray found stations are settling well into their COVID-19-induced remote workflows. Some of those workflows, including IP contribution, cloud-based collaboration and production automation, are likely to stay even after the pandemic subsides. “There’s no going back to what it was before this started,” says Tegna’s Robert Lydick.
LiveU today unveiled its all-in-one production-level field unit for live news and sports coverage. The LU800 combines multi-camera production and video and audio capabilities with mission-critical transmission in a native 5G unit. LiveU said: “Designed from the ground up to unlock 5G potential, the unit offers unparalleled quality of service and resiliency.” The LU800 supports […]
Matrox has introduced private wide-area-network (WAN) support with its Matrox Extio 3 IP KVM extenders. This new mode of operation enables organizations to introduce new remote work and collaborative workflow infrastructures by allowing users to access, share, and control any centralized workstation located in another building or city. Matrox says: “Featuring 4K and multi-display extension and switching […]
Latakoo, a developer of software solutions for the broadcast production industry, has released its new Latakoo Dailies service, which is focused on production companies. The Dailies workflow lets video professionals rapidly ingest video files from the location where a shoot is occurring to post houses for editing. This Latakoo workflow has been optimized for teams […]
EditShare, a technology provider that specializes in secure media management, collaboration and intelligent storage solutions for video content creators, continues its collaboration with Adobe to enhance end-to-end remote production and collaborative editing workflows. The integrated solution of EditShare with Adobe connects editing workflows into a wider media ecosystem with deep metadata tracking and workflow automation […]
SCISYS Media Solutions (formerly Annova Systems and SCISYS Deutschland), has rebranded to CGI. The new brand is underlining its continued commitment to the global broadcast community by presenting the very best of its trusted newsroom and radio expertise, combined with the added power of global IT excellence from the new Canadian mother company. Having already […]
The coronavirus pandemic forced television news operations to produce almost entirely from producers’ and anchors’ homes. During a TVNewsCheck Working Lunch Webinar, set for May 28 at 1 p.m. ET, leading television engineering and operations executives will talk about what they’ve learned while facilitating this massive shift in workflow and the long-term changes likely to flow from it. Above, l-r: Speakers Richard Friedel, Fox Television Stations; Clint Moore, Gray Television; and Robert Lydick, Tegna Media.
News organizations are increasingly using breakthroughs in technology to allow journalists to remotely, yet quickly, deliver more content over multiple platforms. The advances range from improved cellular networks that speed transmission of content from the field to the newsroom and cameras capable of streaming and providing remote video, to a host of tools available for journalists to remotely edit and produce content while collaborating with their newsrooms. Above, Grass Valley’s new GV Alyve, released at this year’s IBC Show, gives reporters a “virtual control room in the cloud” for production and distribution of video and livestream content. (Source: Grass Valley)
Hitomi Broadcast, manufacturer of MatchBox, the industry’s leading audio video alignment toolbox, is partnering with Broadcast Wireless Systems (BWS), manufacturer of the ultra-low latency BWS NanoPRO TX camera-back transmitter, to showcase remote production capabilities featuring Hitomi’s new ‘Matchbox Glass’ iOS app at IBC 2019 at Stand 2.C11. Using a Sony PXW 500 camera on loan […]
Experts say the broadcast industry’s transition to IP infrastructure is likely to dominate this year’s show in Amsterdam. But there’s still plenty of room for developments in the cloud, artificial intelligence, OTT, cybersecurity and more to keep technologists busy on both the show floor and in its conference rooms.
For more IBC 2019 coverage, click here.
Grass Valley joined forces with technology company CenturyLink to successfully run an ultra-high bandwidth test directly from cameras at the Hard Rock Stadium in Miami Gardens, Fla., to a remote production location in Tulsa, Okla. According to the companies, using CenturyLink’s 100 Gbps high-speed Vyvx network and Grass Valley’s DirectIP feature, the test demonstrates that uncompressed multi-camera […]
Grass Valley, a Belden Brand, today appointed Larissa Goerner as director of advanced live solutions, as part of its remote production strategy, a key growth area for the company. Grass Valley said that Goerner, based in Breda, The Netherlands, Goerner, “will leverage her past experience of working with a number of major broadcast vendors to […]
Swedish national public broadcaster SVT has utilized EVS live production technology to successfully deliver two complex and ambitious remote productions for high-profile winter sports events: The Åre 2019 FIS Alpine World Ski Championships and the Östersund 2019 IBU World Championships Biathlon, which took place in February and March in the neighboring Swedish resorts. This presented host broadcaster SVT — one of […]
The World Racing Group wanted to stream more events live, but with fiber connectivity rare and cellular connections not always reliable at the remote venues where many races take place, producers feared reliability would be an issue. They eliminated it with a Dejero solution that enabled them to double the number of races streamed live.
TVU Networks | Stand 2.B28| http://www.tvunetworks.com/ Part of TVU Network’s range of innovative remote production solutions, TVU Producer enables anyone to produce professional, multi-camera video, eliminating the need for expensive hardware and software or prior training. Covering a wide range of applications, from live sports events and egames competitions, through to house of worship services […]
Sony and CenturyLink conducted a test for a large news customer of the long-distance Remote Integration (REMI) connection between New York and London via a fiber link. For the test, Sony simulated a live broadcast and switched live between cameras in New York and London.
Modern and powerful — yet cost-effective — products are now helping broadcasters do more for less, and in less space. And cost reduction does not need to affect the quality of output. IP connectivity makes live event coverage even more affordable and accessible, allowing for cloud-based workflows and very cost-effective bulk transport of uncompressed media.
As broadcasters’ infrastructures evolve to accommodate IP, UHD and HDR, it stands to reason that vendors will necessarily to need to support workflows that — to various extents, and for various possible durations — are in a state of flux. Evertz indicated that it was up for the challenge in a press conference on Sunday that touched on its latest developments in areas including SDN, playout, compression, remote production and more.
Paul Shen, founder and CEO of TVU Networks, talks about his company’s TVU RPS, which allows TV networks, stations, schools, production companies and others to sidestep the expense of sending production trucks and full production crews into the field.
Saying the move underscores its commitment to build the industry’s most complete software suite for live TV news production, ChyronHego also unveiled core product updates and inked a deal to launch a live remote production system with a leading provider of broadcast facilities and services in Europe.
Nevion CEO Geir Bryn-Jensen: “Viewers today eat up live programming of all types. Live programming — with its potential for enrichment and analysis — is also a powerful asset for broadcasters against the encroachment of OTT services. The ability to cover news live, cost effectively and with the highest quality is more significant than ever for today’s newsroom. Remote production is now a practical, deliverable, proven proposition, enabled by the ability to transport multiple signals, either uncompressed or with gentle mezzanine compression, over a range of fabrics, at very low latencies.”