NBCLX, the NBCUniversal Owned Television Stations streaming news service aimed at Gen Z, will be offering election night coverage on its over-the-top, linear, digital, mobile and cable platforms. Coverage starts at 8 p.m. ET with storytellers embedded in New York, Los Angeles, Miami and Washington.
Broadcasters won’t be hampered by remote working conditions for election night 2020, and they have a bevy of new graphics and augmented reality tools to help them tell the story. Above, Broadcasters can make complex data easy for viewers to grasp through augmented reality objects generated by Brainstorm graphics using real-time data from different sources. A Punt, a regional channel in Spain, covered municipal elections, and this interactive map shows the winning party in each town, with detailed results for the seats won in each town are shown on the chart of the left side. The bars on the bottom show a rundown of all the cities, in alphabetical order, with the results in real time.
Despite pushing newsrooms temporarily into mostly remote production, set design vendors say COVID-19 won’t have a lasting effect on where sets were heading before the pandemic. They say viewers are likely to see more LED panels and walls, virtual sets and augmented and virtual reality usage in news studios. Above, for the TF1 broadcast news studio in France, Planar delivered a 750-square-foot curved video wall.
Vizrt, a global provider of software-defined visual storytelling tools for media content creators, offered the world what it called the “first glimpse of science fiction-turned-real in what could become the future of remote live interviews.” Using IP and the built-in Fusion renderer in the just-announced Viz Engine 4.1, two individuals located in separate countries appear […]
Developments in TV news graphics have seen a host of improvements from better real-time flexibility to more streamlined workflows and even monetization prospects.
Millions of citizens turned to TV3 E19: Special Elections broadcast on May 26 to learn the results from the 2019 European Parliamentary and municipal elections — and stayed tuned in because of the Spanish network’s innovative and engaging use of augmented reality and virtual sets powered by Avid. TV3, the public broadcaster in Catalonia, Spain, relied […]
Black News Channel, a provider of 24/7 cable news programming created “by people of color for people of color,” chose Devlin Design Group to design a newsroom featuring a “scenic storytelling environment” based on information gathered from focus groups. The main studio located in Tallahassee, Fla., is the home-base for the network’s news, lifestyle and […]
The Fresh system is designed to achieve more photorealistic images than previous systems and is fully compliant with ChyronHego’s template-based Camio asset management system.
The integration of products is designed to give news producers new tools including game-quality on-air graphics as well as new photorealistic and hyper-realistic elements for on-air virtual sets.
The list of gear and technologies expected to command broadcasters’ attention and wallets next year includes the transition from SDI to IP infrastructure using clouds; transmitters and other RF gear to handle station migration to new channels; ATSC 3.0; plus a lot of activity involving cameras, bonded cellar, multichannel workflow and virtual sets.
Vendors say improved rendering and tracking systems will drive U.S. sales. In addition, many boast “trackless” technology, that reduces the cost and complexity of setting up and maintaining a virtual set. Above, a ChyronHego virtual set at WTLV Jacksonville, Fla.
Whether it’s virtual or hybrid sets, Ka-band satellite contribution or tools to make story-centric workflows a reality, the shape of TV news production, presentation and even publishing — not just to air, but to multiple platforms — is changing. Here’s a look at five important technologies that are helping to transform television news. Above, a virtual set in use at Raycom’s WBTV Charlotte, N.C.
Virtual sets or augmented reality represents a totally new way of producing news, and whether — or how — to tap the technology can be market-dependent. While viewers in some markets may be able to handle bold moves like virtual sets, others may be better suited for a more conservative approach.
What issues are likely to keep engineers, managers and other tech types awake at night in 2016? TVNewsCheck’s Phil Kurz offers his predictions of next year’s trends that range from ATSC 3.0 to a serious rethink of how to define the business of television.
Gray Television began a serious evaluation of a hybrid of hard and virtual sets, augmented reality and immersive graphics about 18 months ago. The station group wanted to find new, flexible ways to customize local content in a way that engages viewers. Now it’s preparing to introduce the technology at some of its stations, emphasizing the need to use virtual to “support the content, augment what is going on with that content — not get in the way,” according to Jason Effinger, the group’s tech SVP.
Raycom’s North Carolina CBS affiliate debuts new news set from FX Design Group using both a hard set and a virtual set.
A hybrid approach combining a traditional hard set with an oversized green screen area is gaining acceptance at stations. It allows them to integrate virtual elements into their news presentations and gain experience working with virtual technology without risking the entire newscast on a technology long viewed by stations with skepticism.
Lower prices for technologies once thought out of the reach of the average station are giving news departments more options for their graphics. Among the more affordable innovations are virtual sets and immersive graphics as well as the ability to integrate social media comments into on-air election coverage. This is the final installment of a three-part special report on 2014 election coverage. To read the other stories, click here.
Group owner Morris Multimedia is outfitting all its stations with virtual sets, citing the economy and flixibility they offer. CEO Dean Hinson: “Each of our stations … put out more than one signal and those second channels each have their own branding. The decision to go virtual is an economic one, and it’s one based on space. We’ve watched the prices come down on the equipment to do this and are ready to move at a rapid pace.”
While few U.S. TV stations are opting for full-fledged virtual sets for their news operations, hybrid sets that combine real and virtual elements are rapidly finding adoption due to their versatility and cost-effectiveness.