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Appearing on NBC’s Today show Wednesday, fired North Dakota TV anchor A.J. Clemente spoke about his inadvertent use of a couple choice four-letter words in his first TV anchor appearance. What his mistake really reveals, however, is just how low the quality of local TV news is in Bismarck, the 151th TV market in the country — leaving larger questions about how badly the modern media environment has hurt small TV news operations.

Cherrypicking cable channels won’t make sense in an on-demand future. A post-bundle world would require a much different environment than the one a la carte fans envision, one that probably draws more on title-oriented platforms like Netflix or iTunes than on TV’s linear lineage.

Clay Shirky on “Post-Industrial Journalism,” the report he co-authored for Columbia University’s Tow Center for Digital Journalism: “The opening paragraph of our report says that there is no such thing as a news industry. That’s not a prediction either: The days when you could point to anything in this country and call it ‘the news industry’ are already in the rearview mirror.”

There’s no question that much of the information on local newscasts is easily available on competing digital and mobile platforms, even as in-depth reporting has grown harder to fund and harder to find. But my hunch is that regular viewers of local TV news are still pretty happy with the product. The problem is the generation that comes after them. That’s why merely making local news coverage available on smartphones and tablets isn’t going to do it. Over time, especially as more sophisticated audience-measurement and targeting percolate beyond the biggest markets, local advertisers will start demanding these attributes as well. The good news is that local stations enjoy unique advantages as they confront these challenges

In response to last week’s commentary by Ed Rabel critical of local TV news, the president-GM of WXII Greensboro/Winston-Salem, N.C., rebuts: “We live in a new golden age of over-the-air television. Leading stations with strong newscasts find themselves offering more services to more people than ever before.”

I hate to add to the tonnage of words speculating on Jimmy Fallon as the post-Leno host of a Tonight show relocating to New York. But I can’t help recalling my early devotion to Tonight back when it, and Carson, called New York home — and how, before Johnny took it West, I attended a taping at Manhattan’s 30 Rock.

Former NBC News and CBS News correspondent Ed Rabel: “Not to be dispiriting, but there is very little reason to watch the local news. If you’re satisfied to simply see the day’s digest of house fires, fender benders and high school reunions, fine. Otherwise, the … so-called newscasts are a colossal waste of time. There are reasons you don’t get the news on local TV. Station owners and managers forbid their news departments from stepping on toes and ruffling feathers, out of fear that such stories might insult local advertisers or offend politicians on whose toes reporters might stomp.”

Now that Kristen Bell, Rob Thomas, and the entire Veronica Mars universe have learned just what a mobilized fan base can do for a TV franchise, are we looking at the gestational period of a new world order of post-television crowdsourcing? This reinforces Nielsen’s recent findings of the symbiotic relationship between television and Twitter. Clearly, television resonates with fans well beyond cancellation; the media life of a program can last well beyond its broadcast life.

While in the works for a while, Wednesday’s formal announcement by FCC Commissioner Robert McDowell that he will be leaving the commission leaves a hole in the FCC’s ranks that will be difficult to fill. In many regards, Commissioner McDowell was a throwback to an earlier time, both at the FCC and in Washington, in that his tenure was distinguished not just by his congenial nature, but by an abiding adherence to his regulatory principles, rather than to reaching a particular result.

A growing number of network executives have been moaning about the disparate iterations of TV Everywhere. Every network seems to have a different way to handle it. Frustration abounds, but concern should ramp up regarding the lackluster efforts to provide simplified TV Everywhere access for consumers. TV networks and producers need to figure this out — before someone else does.

Stephan Weichert, professor at Macromedia University in Hamburg, and international media consultant Peter Littger on how journalism needs alternative funding models and more innovation to stay alive: “It is more important than ever to develop excellent, new and distinguishable forms of journalism, and at the same time, to add value.”

Is Louisville more or less safe than it used to be? If you watch local television news, you’re more likely to think that Louisville is less safe. This is partially because the local TV outlets— WAVE, WHAS, WLKY, and WDRB — spend an extraordinary amount of time covering crime stories despite the preponderance of other, more newsworthy topics.

After Netflix released the first season of House of Cards in its entirety Feb. 1, the concept of “binge viewing” — watching multiple episodes of a series in a single sitting — became a very hot topic. My team and I are tasked with addressing these trends because it always leads to the same question: Is this going to kill linear TV viewing? The short answer is no. And here’s why.

The Supreme Court’s anti-camera policy is just so wrong for a democracy. The high court plays such a huge role in the lives of Americans. It seems unconscionable that Americans can’t watch as lawyers present their cases on matters of such great importance and the justices test their arguments. The objections to cameras seem pretty frail when compared with the public’s right to know. 

The gang at YouTube saw premium cable charging a hefty monthly fee, and they thought about all those millions upon millions of views their popular channels get, and it was only natural to do the math. What went wrong is that they overlooked the simple yet all-important precondition of premium cable: the idea of premium itself. The idea that this stuff really is the best of the best, and it’s worth paying extra for.

The fact that there are companies — not a company, but companies — that specialize in monitoring social media chatter about television should tell you something about the dominance of traditional television in our culture. After consulting with several digital research specialists, it turns out that television is the only category that has specialized social media tracking services just for a single industry.

YouTube, the website synonymous with any online video, is looking to evolve. If you’re the biggest player in a limited market, what do you do? Well, you expand. For YouTube, you explore the idea of building a new channel portfolio, one that has such high quality and unique content that you’re able to charge a subscription fee for it. But in YouTube’s case, they’re probably better off staying where they are. We already have a subscriber paid niche player with limited vertical draw across thousands of different lightly viewed channels. We call that cable.

CMOs, prepare yourselves, your beautiful TV ads are about to become newly relevant in an era of digital customer relationships. If properly used, they can become a source of vital customer data, binding your customer to you in a way that was previously impossible, but only if you push your company to disrupt itself before someone else does.

Talk is cheap. Television networks are not. Mark Cuban, billionaire, is one of the rare few that can afford both. And he’s proven his affinity for each by recently speaking at NATPE, about many topics, among them his AXS TV network and his belief in the power of television in our society. So why should we pay so much attention to what the billionaire owner of the Dallas Mavericks has to say about TV? Well, he made his fortune in the dot-com boom, selling his Internet radio business to Yahoo. So perhaps this Internet radio guy might have learned some valuable lessons about long-term success and taking his business to the next level—by investing in broadcast television.

Jim Tuthill, attorney and UC Berkeley School of Law lecturer: “Our debate about how to reduce gun violence in our country has focused almost entirely on gun control since the tragedy at Sandy Hook Elementary School. And that’s appropriate. But another critical element almost has been ignored: the harmful effect of violence in the media. Even more surprising is that the federal agency with knowledge of these effects has been mute on the subject.”

In the spirit of cleaning the broadcast industry’s technology slate and giving us all a fresh start, we have looked into our collective crystal ball and compiled a list of things that we feel that will not, or at least should not, be seen after 2013. Some of these are small. Others, perhaps, are the pet peeves of minds that spend a lot of time staring at schematics and contemplating efficient workflows.

Simon Dumenco: “For my money, where it gets really interesting is when networks stop thinking about how to goose the social-media numbers surrounding the broadcast window and instead think of their shows as cross-platform brands that fans want to be able to engage with anytime they want…. In other words, social TV ends up doing what social media in general has done: It gets absorbed into daily life. It stops being this separate thing.”

The debate over “who owns the media” is heating up again, and has already become stuck in a bit of a 1980s time warp. That’s unfortunate. Smart media policy could actually help local news ecosystems during a critical time.

It might be time to at least begin the discussion of what role the media plays in horrific episodes like the Newtown massacre. It would be ridiculous to argue that the media not cover these stories, particularly one that is so destructive. The important questions to ask regarding the coverage are how, how much and for how long, and to what end other than for promotional and commercial purposes?

Nielsen has the brand strength and credibility to conduct an in-depth study of radio’s viability as an industry. Radio needs to invest in proving its ability to drive business, as other media have done, so firm metrics can be provided to advertisers. This is an excellent opportunity for Nielsen to help radio get to the next level.

A cornerstone of American democracy is a free and open press providing diverse viewpoints. In America today, however, a trend toward corporate media consolidation is drowning diverse opinions and eliminating local control. In 1983, 90% of the American media was owned by 50 companies. Today, 90% is controlled by just six corporations. And the FCC may be on the verge of making a bad situation worse. It is considering a rule change that would clear the way for even more media consolidation. All Americans should be deeply concerned.

Last week’s multi-year licensing agreement bombshell between Disney and Netflix was a capper to an already dynamic year for streaming media. Clearly we’re at an exciting crossroads, fueled by “make-ups and break-ups” that constantly reshape the industry. Given the activity of the last four quarters, here are a few things to look for in 2013.

The FCC’s outdated newspaper-broadcast crossownership prohibition prevents broadcast companies from investing in newspapers at a time when local journalism needs to be bolstered. It is time for the FCC to provide much-needed relief to the newspaper industry, which has labored under this ownership ban for far too many years.

Has there ever been a more crystal-clear example than Hurricane Sandy of why it’s so imperative to keep exploring improvements in media measurement? The reality is that we’re in a data-centric world with media options growing all the time. It’s necessary that our measurement capabilities continue to keep in step. And it’s not just because of a random natural act, but because we can’t measure the media of the future with technologies of the past.

John Nichols on the FCC considering the restructuring of media ownership rules and how it would benefit Rupert Murdoch and News Corp.: “In a rapidly diversifying country, it becomes all the more important that media outlets reflect that diversity. Allowing further consolidation of ownership in the hands of existing owners makes that prospect more remote.”

The presidential debates are an institution now, and among the most watched television events in America. Despite a rocky history, the debates are one place in the modern campaign — perhaps the only place — where the voter is treated with respect.

With “F-bomb” now anointed to the sacred text of Merriam-Webster’s Collegiate Dictionary, it is — by definition — a conventional word, acceptable in any setting. So what the fuck is wrong with this picture? Here’s what: “F-bomb” blows. It’s ugly, overstated and, most of all, dated. “Fuck” hasn’t been a “bomb” for years, except to the Federal Communications Commission.

So many TV shows are bad right from the very start, in the first few minutes, and just about everyone can tell. It’s a horrible feeling, a sadness — even for cruel TV critics who write dismissive reviews based on a single episode. You know it’s terrible almost as soon as the characters start talking. But how do you know? Is it the script? Is it the premise? Is it the cast? Is it the look? Usually it’s an intangible combination of all those.

NBC can’t have a shaky primetime schedule and a shaky support system at the same time. While the success of The Voice and the fate of new fall programs such as Animal Practice and The Revolution may take over the headlines in a few weeks, don’t doubt that NBC is probably spending more time on its less-glitzy programming than it once felt necessary.

There were a lot of lessions learned from the London Games, including that Olympic viewing had very interesting patterns at the local level. It was easily the most talked about topic on social media during its two weeks, reinforcing the evidence that TV content is the most social topic. People not only voraciously watched on television, but also inundated social media with what they were watching. People crave a shared experience, and television is the biggest one that there is, especially when it’s something we all rally around, like the Olympics.

The explosion of original scripted series means more options, more risks and more confusion but also better quality and expanded viewing platforms.

Once again, the public is being denied an opportunity to witness a very important judicial event. The decision by Colorado judge William Sylvester ordering that James Holmes’ latest court appearance be closed to cameras is yet another example of how far we haven’t come in being able to shed light on one of the most basic aspects of American society — its jurisprudence system.

The horrific massacre in the Century 16 Theater in Aurora, Colorado refocused a spotlight on an area already scarred by senseless gunfire. Naturally, local news crews mobilized quickly and relentlessly, not only in an effort to inform their public, but to also to reassure them. Stations took the unprecedented step of moving their normal morning content to their subchannels to maintain their nonstop coverage. This wasn’t done for commerce; it was done because it would be unthinkable not to. Broadcasters feel that this is their unassailable duty to their community, that this is how they serve the public.

Do the media have a responsibility not to talk about certain subjects or raise certain possibilities because it might put ideas in people’s heads? There are numerous examples of media outlets showing restraint.