Oscar winnerWilliam Hurt, who died Sunday at 71, left behind a yet-to-be-released TV series, AMC’s first animated drama Pantheon. Hurt was cast in the project, from creator and showrunner Craig Silverstein a year ago. He had completed vis voice work on the series before his death, sources say.
“Homer at the Bat,” which featured the voices of nine active major leaguers and made its debut Feb. 20, 1992, was more than a quirky one-off in celebrity stunt casting. The 17th episode of Season 3 emboldened the minds behind The Simpsons to push the boundaries of what an animated half-hour series could do and show.
Nearly 10 years after it signed off, Futurama has been revived for a 20-episode run on Hulu, the third platform for the animated comedy from creators Matt Groening and David X. Cohen. The series that aired its first five seasons on Fox before being revived for three more at Comedy Central will return to production this month for a 2023 premiere. Original creators Matt Groening and David X. Cohen will return alongside voice stars Billy West and Katey Sagal, among others.
Fox Entertainment has acquired the iconic animated character Gumby, and all his friends from the estate of Joseph Clokey, son of creator Art Clokey. The acquisition expands on Fox Entertainment’s long-term strategy of building a select, curated and culturally compelling library of owned content and intellectual property to showcase across its linear, AVOD, blockchain-based and […]
Michael Thorn, president of entertainment at Fox Entertainment, announced on Thursday that Fox has ordered Grimsburg, an all-new animated comedy starring and executive produced by Hamm. Fully owned by Fox Entertainment and produced by its Emmy winning animation studio Bento Box Entertainment, Grimsburg will premiere in 2023.
A long list of new TV shows, from Chicago Party Aunt to Fairfax to Arcane, suggests that cartoons aimed at an older audience are at peak popularity.
Behind the painstaking creation of the Balenciaga-Simpsons episode that took nearly a year to make.
So much local news coverage is tied to the news cycle at a time when audiences are also expecting insights, context, impact, and an understanding of stories as they unfold. This means that the 700-plus local TV news stations across the country are increasingly missing opportunities. But it’s not too late. Here’s an n-depth look at data topline takeaways for how graphics and animation can enhance local TV news storytelling, offering a powerful case for breaking the mold.
The storytelling formula adopted across the local TV news industry looks similar to what’s been used for generations. Yet the possibilities for innovation are growing by the day. For several years now, an RTDNA research project, Reinventing Local TV News (RLTVN), has been looking at this gap between practice and possibility.
Steven Silcox, a senior designer for CBC News, explains how to add value to a feature news story by using animation. This is the debut installment of How To, a TVNewsCheck original video series that solicits innovative, practical and actionable advice from TV experts in news, technology, sales and marketing.
CBC News’ five-person animation team is using a graphics-driven approach to amplify some news stories with Adobe After Effects as a key tool. Note: This story is available to TVNewsCheck Premium members only. If you would like to upgrade your free TVNewsCheck membership to Premium now, you can visit your Member Home Page, available when you log in at the very top right corner of the site or in the Stay Connected Box that appears in the right column of virtually every page on the site. If you don’t see Member Home, you will need to click Log In or Subscribe.
The network will open a second animation block on Monday nights in the summer. Newcomer Housebroken, featuring the voices of Lisa Kudrow, Nat Faxon, Will Forte and Sharon Horgan, will pair with second-year show Duncanville, starring Amy Poehler, beginning May 31. Duncanville will premiere with two episodes on Sunday, May 23, before moving to its regular berth.
The show set in ancient Greece stems from a direct broadcast deal the Rick and Morty co-creator signed at the network.
LOS ANGELES (AP) — And how the bidders loved him! A buyer shouted out with glee that they would pay $368,000 for the Rudolph and Santa Claus figures used in the perennially beloved Christmas special “Rudolph the Red Nosed Reindeer.” Bidding for the figures soared past the projected sale price of between $150,000 and $200,000 […]
The Simpsons, the Harts, the Belchers and the Griffins will see you in September. New episodes of The Simpsons (Season 32), Bless the Harts (Season 2), Bob’s Burgers (Season 11) and Family Guy (Season 19) premiere Sunday, Sept. 27 on Fox,. Additionally the second season of Duncanville will premiere in 2021.
When The Simpsons premiered in 1989, it was an outlier. Animated shows in primetime were by no means unprecedented — The Flintstones broke that barrier in the ’60s — but never before had an animated series aimed at adults resonated so powerfully or had as significant an impact on a network as The Simpsons did for Fox. Three decades later, though, such series are having their moment in a big way.
As traditional TV production struggles, the medium has steamed ahead, in some cases saving fall lineups or enhancing live-action episodes.
The makers of the NBC drama, which stars James Spader as dashing antihero Raymond Reddington, decided to add animation to a partially taped season finale episode , prompting a far-flung collaboration that stretched from Los Angeles to London and included the Spader family house as a challenging recording studio.