Subscription streaming’s first boom period, which lasted roughly from 2019 to 2021, was “based on the false premise of exclusivity,” said a panelist. It also was “about convenience.” Now that content owners are more readily licensing titles out to multiple players and no longer hell-bent on clawing back exclusive rights, a new model and orientation toward relevance can assert itself.
NATPE Budapest is changing names and moving 300 miles northwest. Beginning in 2014, NATPE Budapest will move to Prague and be renamed to NATPE Europe to reflect a commitment to […]
