Chyron today announced the first major update to its cloud-native live production platform – Chyron LIVE – which provides broadcaster-grade production switching, motion graphics, replay, telestration, and audio mixing within a web-based interface. Chyron said LIVE 1.2 “introduces a comprehensive set of graphics templates that are easily customizable within LIVE’s web interface to create broadcaster-grade […]
Chyron today introduced PRIME 4.6, a new release of the company’s software-based live production platform with enhancements that it says “empower users to realize uncompressed production workflows in the cloud, leverage data in real time to drive productions, and introduce exciting interactive graphic elements to online streams. In addition to unlocking greater flexibility in the […]
The fully remote production launches tonight with a new mobile fleet of 16 that’s producing the games in 1080p with High Dynamic Range with around 250 people onsite for each TNF game. (Courtesy of Prime Video)
Broadcasters are more receptive than ever to buying their tech on an opex basis, but that doesn’t mean the capex model is anywhere near extinction, nor has a standard definition of software as a service settled in across the industry.
Chyron has introduced Paint 9.3, the first AI-enhanced release of the company’s renowned illustrated analysis and replay tool for live sports. New automatic pitch calibration (soccer) and automatic player tracking tools (soccer and American football) represent the first AI-driven tools within Paint. Reducing two essential but complex tasks to quick button pushes, these AI algorithms […]
Chyron on Sunday unveiled the suite of Chyron products on display at the 2022 NAB Show in Las Vegas. At Booth N2613 at the Las Vegas Convention Center, Chyron is featuring the newly released Chyron LIVE Platform. “Combining Chyron-grade graphics, production video switching, and illustrated replay clips in a single user-friendly, cloud-native platform offered on […]
Chyron today launched Chyron Live, an end-to-end, cloud-native live video production platform with high-end switching, graphics, clips player, replay, telestration and asset management capabilities. Bringing in live camera feeds through a variety of transport protocols, Chyron Live makes it easy for a team or a single operator to deliver a stunning live production on the […]
Chyron has made two key promotions to “further drive the vision of multifunctional, flexible, scalable platforms and seamless workflows based on robust data and asset management.” Nikole McStanley has been named product portfolio director of live production technology, which includes the PRIME platform and all its modules: CG graphics, branding, clip server, video walls, venue […]
Chyron has rolled out the 4.3 release of its PRIME Platform, which features a full suite of production capabilities including live graphics, production switching, video walls and scaling, touch screen control, branding, venue control and augmented reality. Version 4.3 of this flexible, scalable platform introduces the new PRIME Edge module for creation, deployment, and management […]
At the 2022 NAB Show, Chyron will be presenting a soon-to-be-released platform that offers users a single, unified interface for graphics, switching, and illustrated replay. Designed for cloud deployment, this new product puts broadcast-grade tools in the hands of sportscasters for any sport at any level, remote production operators, esports enthusiasts, and broadcast students everywhere. […]
Teed up by riveting playoffs, NBC will rely on the same core technical setup it employs for its regular-season NFL games when it broadcasts Super Bowl 56 on Sunday. “The more you can stick with what got you to where you are, the better off you are,” says Drew Esocoff, the big game’s director. Above, the Infinity Screen by Samsung in SoFi Stadium (Photo: Will Navarro).
Chyron today announced the release of Prime VSAR 1.7, calling it “a significant step forward” in the company’s mission to help broadcasters maximize and monetize the content they can generate with Unreal-driven virtual sets and augmented reality. This latest release implements Unreal Engine 4.26, increases cameras per Prime VSAR engine, and adds a host of […]
Chyron today added Hayes Stamper to its marketing team. Stamper brings a wealth of industry and marketing experience, having worked previously in high-profile positions serving broadcast technology. He will focus primarily on products for the broadcast news vertical, including CAMIO, Chyron’s MOS integration offering; AXIS, an order management system for maps, charts, financial quotes, and […]
Recent supply chain issues notwithstanding, newsrooms are embracing LED video walls for their dropping prices, ease of use and improved quality over older, LCD options. Above: WRDW Augusta, Ga., included a large video wall in its new facility, designed by FX, that it moved into earlier this year. (Source: WRDW)
Primeview USA, a supplier of visualization and display systems, will feature the Chyron Prime Live Platform at the new Primeview Experience Center that opened July 29 in South Florida. Visitors to the center will have the opportunity to see Chyron products, integrated with products from Primeview and other vendors, operating in a true live environment. […]
Chyron today rolled out the 4.1 release of its Prime Live Platform featuring broadcast-quality production capabilities that are flexible and scalable. The platform is environment-agnostic: deployable on-prem, in the cloud or as a hybrid integration. This release premieres Prime Commander, a new automated production control module for accessible production automation. This release also brings additional […]
With adoption pushed by the pandemic, cloud editing tools have expanded to cover light-weight, heavy-weight and hybrid workflows as vendors continue to minimize latency problems. Above, Avid’s Edit On Demand provides a fully provisioned and secure virtual editing environment, complete with Media Composer cloud editing and Avid NEXIS cloud storage, that can be deployed and scaled quickly.
Equipment manufacturers say newsrooms have been too slow to embrace a storycentric model of content creation, one far more in line with consumer habits than the old evening-newscast-as-endgame paradigm. Above, Sam Adams, the morning anchor for KHQ Spokane, is preparing clips for NonStop News, the station’s 24/7 streaming channel. He’s seated at the NonStop News Desk, which is where these clips are prepared. He can produce and present the clips in a very short amount of time. The lower TV in the distance is receiving NonStop News over-the-air on ch. 6.3.
Chyron has rolled out what it calls “major enhancements” to its popular web-based Axis order management and graphics creation toolset. These updates include the redesign and optimization of the web-based user interface; a significant expansion of the Axis maps module to include the latest geographic data sets, covering both North America and continental Europe; and […]
Tracab, a Chyron brand “focused on decoding and visualizing the complexities of sport,” has promoted David Eccles and Martin Brogren to co-general managers. Brogren, who has been dedicated to the development of tracking technology and has led many of the company’s innovations over the past decade, will now manage research, engineering and product strategy. Eccles, […]
Chyron has released the Prime Live Platform, which it calls “a dynamic, scalable, full-featured production engine that bridges legacy workflows with the future of live content creation and distribution. As Version 4 of Chyron’s acclaimed Prime product family, the Prime Live Platform boasts the industry-leading graphics, clips, and branding capabilities of earlier Prime releases, as […]
Chyron has promoted Jason Toliopoulos to senior vice president of operations and customer success. He brings extensive creative, technical, and project management experience to this new role. His career in broadcast technology began in various design and management roles at Global News, CBC and CTV. Toliopoulos eventually became creative director at CTV, where he successfully […]
ChyronHego today launched three new corporate brands — Chyron, Hego and Tracab — that respectively provide professional broadcast products, professional live broadcast services and collegiate and professional coaching tools. The three new brands will operate under the ChyronHego senior leadership team, and the company’s existing customers will enjoy ongoing sales, support, and development for the […]
Product revenues increased 3% to $5.97 million compared to $5.80 million in 1Q 2012. Services revenues decreased 2% to $2.04 million compared to $2.08 million. CEO Michael Wellesley-Wesley says it expects to close its acquisition of Hego AB on May 22.
In addition to its earnings results, Chyron also announced an agreement to purchase Sweden-based Hego Group. Michael Wellesley-Wesley, Chyron CEO, says: “By combining the teams and resources of Chyron and Hego, we will deliver to our customers a highly diverse and compelling broadcast graphics capability.” The company’s new name will be ChyronHego.
An NBA development league basketball team in Texas is now broadcasting with high-impact graphics that viewers would typically see on professional sports’ bigger stages. Chyron, a provider of graphics for newsrooms, studios and sports broadcasting facilities, announced today that the Texas Legends have built the ChryonIP real-time HD/SD 2D and 3D character and graphics generator […]
Broadcast graphics specialist Chyron reported that it has received notification of potential delisting from the Nasdaq Stock Market because it no longer complies with Nasdaq’s Minimum Bid Price Rule after the bid price of Chyron’s common stock closed below the minimum $1 per share for the 30 consecutive business days.
Service revenue was up 13% in the quarter, while product revenue was down 9%. The company reported a net loss of $700,000 as compared to a net loss of $3.49 million in the third quarter of 2011
As reliability and security issues are improving, more broadcasters are seriously looking at the value of cloud-based services. The uses range from writing, editing and sharing stories in the field, to quickly creating graphics, as well as managing and editing online video. A recent study of video producers finds that only 23% are using a cloud infrastructure today, but that more than 75% are considering deploying it.
Chyron has released ChyronIP, a real-time HD/SD 2D and 3D character and graphics generator that brings its full-motion, data-driven 3D graphics to NewTek TriCaster live production systems for the first time. Loaded with all of the features and functions offered by Chyron’s Lyric PRO software, ChyronIP delivers key and fill signals via the TriCaster network […]
Suitable for live news, sports and OB productions, HyperXLP occupies just a quarter of the space of a standard HyperX system and consumes half as much power.
Chyron provided 10 HyperX³·¹ on-air graphics playout systems to NBC Olympics during its production of the 2012 London Olympic Games. “In our operation, there’s no room for error, and every second counts. The centralized asset storage capability powered by Chyron’s HyperX³·¹ and Apple®’s Xsan 2 is a tremendous time-saver, enabling our operators to instantly access […]
The lower sales result in an operating loss of $1.1 million. Company CEO Michael Wellesley-Wesley said: “We expect that the second half of the year will produce improved operational and financial results.”
Chyron today announced that it has integrated the company’s CAMIO graphics asset management server with the Web-based Cell Journalist application to streamline the incorporation of user-generated video content into a news rundown. This integration lets producers locate Cell Journalist content through the Associated Press ENPS interface and quickly move it to the CAMIO server for […]
The increase to $7.9 million came from 15% gains in product revenue and a 34% gain in services revenue. Increases in expenses resulted in a net loss of $1.1 million.