Ross Video has released Version 10 of the XPression real-time motion graphics platform. A “substantial upgrade” from previous releases, Ross says XPression V10 adds enhanced support for HDR workflows, multi-engine control for non-MOS workflows, HTML5 enhancements and third-party vendor support. Ross has enabled customers to evolve their workflows and work in HDR on XPression as […]
With high dynamic range rapidly becoming the new production standard, filmmakers need the proper tools to make the most of it both creatively and technically. Fueled by the talent and technology leadership at Panavision and Light Iron, Panavision’s LINK HDR addresses the challenge of viewing HDR images throughout the production and post-production processes, bringing HDR […]
MediaKind, a global media technology provider, has introduced its next-generation broadcast solution, Aquila Broadcast, to enable broadcasters and operators to make a seamless, step-by-step transition from appliance-based platforms to all-IP media delivery. Powered by software-based video compression, control and stream processing, Aquila Broadcast provides picture quality with resolutions up to UHD with HDR support, while also […]
Costs are inhibiting a flood of 4K sports production, but 1080p HDR offers numerous practical advantages, among them that the improvement in picture quality is more readily apparent to consumers than the gain from 4K resolution. Above, Sony tested an 8K camera at the Sony Open in Hawaii last year, but doesn’t expect 8K to be used for regular sports production for several years.
Sony Electronics today announced U.S. availability of a new set of high-grade 4K HDR monitors from Sony’s TriMaster range. The PVM-X2400 (24’’) and the PVM-X1800 (18.4’’) professional 4K HDR monitors were first unveiled and demonstrated at the BSC Expo 2020 in London. The monitors provide high picture quality and accurate color reproduction thanks to Sony’s specified and dedicated panels, which offer ultra-high definition with […]
Fox will use more than 100 manned and robotic cameras to cover the game, including 24 “Super-Motion” cameras to support replays; 20 goal-line and end-line pylon cameras; wireless “Line to Gain” cameras that travel up and down the field in alignment with the first-down marker; and two different SkyCam systems which operate at different elevations. It will also use 72 field mics, as well as wireless player mics, to capture game audio. And that’s just scratching the surface.
Larger networks and sports broadcasters are in the vanguard of IP routing, but local stations are following more slowly. Business needs are driving the pace of transition, and HD-SDI routers are far from disappearing. NBCUniversal Owned Television Stations’ new facility for WCAU-WWSI, its Philadelphia duopoly, uses Grass Valley control software and IPG (IP gateway) cards working with Cisco switches to bridge the HD-SDI and IP worlds.
The Week Four Thursday Night Football game on Fox between the Philadelphia Eagles and Green Bay Packers was supposed to be exciting beyond the game — which came down to a goal line stand in the final minute — as it was meant to be the debut of the NFL in 4K HDR. But Fox’s gameplan failed for a variety of reasons, allowing for only a limited audience to experience the game in the hi-res format.
Panasonic will showcase its new AJ-CX4000GJ broadcast shoulder mount 4K camera at IBC 2019 (Sept. 13-17, RAI Amsterdam). The product, which will launch in December 2019, follows the handheld-type AG-CX350 as the new “CX” Series lineup of 4K camera recorders. The AJ-CX4000GJ is a B4 lens mount, interchangeable lens camera recorder that is typical for […]
If you’re shopping for a new TV, a new acronym should be on your radar: HDR, or High Dynamic Range. Soon it’ll be everywhere, but here’s why it’s worth a look now.
Cobalt Digital will showcase its card-based 4K and HDR workflow solutions for openGear frames at IBC 2019 (Sept. 13-17, RAI Amsterdam) at its stand 10.B44. Product highlights will include its new decoders and encoders, RIST Main Profile, bi-directional SDR/HDR conversion solution for live production, and new multiviewers and distribution amplifiers. Plus, the company will debut a new 12G […]
Tektronix, a provider of video test, monitoring, and diagnostics solutions, is introducing a suite of products at next week’s NAB Show that address current and future broadcast workflows. The new tools and architectures target the workflow disruption created by HDR, the transition to IP infrastructures and the increasing use of cloud-native workflows in content creation, […]
Tektronix, a provider of video test, monitoring and diagnostics solutions will be showcasing new High Dynamic Range (HDR)-ready solutions live at the NAB show in Las Vegas, April 8-11, booth SU5006. Tektronix’ HDR video capabilities are available across its award-winning suite of media production, monitoring and analysis solutions, including: Prism, Aurora and Sentry. The addition […]
Grass Valley, a Belden Brand, today announced even more capability in its live highlights and replay production system, LiveTouch. Debuting on Grass Valley’s NAB Show booth (SL106), the latest version incorporates 4K UHD slow-motion replay, direct playout and full super slow-motion support (2x, 3x, 4x, 6x, 8x). Grass Valley says the new super slo-mo speeds as well as support […]
Katy Noland, senior R&D technologist at the BBC, has been chosen as one of TVNewsCheck’s 2019 Technology Women to Watch and will be honored during the NAB Show on April 9 in Las Vegas.
The NAB Show continues to grow in scope with each year, expanding to fit the puzzle that now represents media, entertainment and technology – or as NAB coins it, the M.E.T. Effect. This melting pot of ideas is showcased through the show’s 200 plus sessions and 1,700 exhibitors, with the latest and greatest on display.
FOR-A | Booth C5117 | https://www.for-a.com/ FOR-A is demonstrating its end-to-end line of video production tools and unveiling several solutions, including video switcher, frame rate converter, routing switcher and technologies that support UHD resolution, high dynamic range (HDR) and wide color gamut (WCG), various codecs, 12G-SDI and IP. FOR-A will showcase the new MBP-1000VS video […]
The interest in HDR units is due to their ability to improve quality and enable content creators to migrate toward 4K incrementally over time. “We foresee significant growth in HDR products within the next two years, driven by consumer demand for HDR TV sets,” says FujiFilm’s Thomas Fletcher. Above, a Ross ACID HDR camera. Click here to access TVNewsCheck’s NAB 2018 Resource Guide listing of camera vendors and products or here to download it as a PDF.
Tektronix | Booth SU5006 | TEK.COM Tektronix will showcase innovative solutions that ensure content quality, signal integrity, and regulatory compliance as the transition to next generation networks, workflows, and delivery mechanisms accelerates. Visit the Tektronix booth at SU5006 to see the latest advances in: Hybrid IP and SDI media analysis solutions — Tektronix PRISM offers broadcast […]
As broadcasters’ infrastructures evolve to accommodate IP, UHD and HDR, it stands to reason that vendors will necessarily to need to support workflows that — to various extents, and for various possible durations — are in a state of flux. Evertz indicated that it was up for the challenge in a press conference on Sunday that touched on its latest developments in areas including SDN, playout, compression, remote production and more.
HDR (high dynamic range) may be the brightest star among the Ultra HD suite of features but the imaging technology has a ways to go before it can brighten broadcast television content in the U.S.
Drip, drip, drip. The trickle of changes in television capture and delivery continues to flow. But as next-gen TV inches towards finalization as a standard and the prospects for FCC authorization grow those drips will turn into a torrent. Broadcasters and camera vendors alike are getting serious about how to prepare for these changes while maintaining and improving existing HD workflow and program delivery. Click here to access TVNewsCheck’s NAB 2017 Resource Guide listing of broadcast camera vendors and products or here to download it as a PDF.
Sony | Stand C.101 | Website: www.pro.sony.eu Today, Sony unveiled how it is reshaping media solutions, introducing new ideas, approaches and technology on the opening day of IBC 2016. Sony’s announcements included developments in image, IP and media workflow. The company also showcased how its “Beyond Definition” vision and technology heritage serve as the foundation […]
Tektronix | Stand 10.D41 | Website: TEK.COM At IBC 2016, Tektronix, a provider of video test and monitoring solutions, will be unveiling new product features and capabilities to help the industry get the most out of technologies like 4K, high dynamic range (HDR) and wide color gamut (WCG), video over IP, and adaptive bit rate […]
High Dynamic Range video could well be the next big thing, the killer app for Ultra-HD TV and the improvement that triggers the next wave of TV upgrades. And thanks to a new pact between Technicolor and Vubiquity, it should be available to hundreds of TV networks and studios by year’s end, even in content that wasn’t made for the format. If so, though, consumers may have to pay for more than a new TV to see it.
Sony plans to launch a 4K streaming service in the U.S. aimed at providing purchasers of its 4K Bravia TVs with some content to play on them. The transactional service will provide users of Sony’s new HDR TVs streams in the high-resolution Ultra HD format, complemented by High Dynamic Range (HDR) technology.
HDR, or high dynamic range, promises brighter whites, darker blacks, and a richer range of colors — at least when you’re watching the few select movie titles that get released in the format. Trouble is, there aren’t all that many of those yet, and other HDR viewing options are likely to remain scarce for the immediate future. Even worse, there are likely to be several different flavors of HDR, just to keep TV buyers on their toes.